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Barry harris workshop video10/30/2022 ![]() Starting on odd numbered degrees gets 1 extra note, even numbered degrees get 0 or 2 extra notes.ģ. ![]() Starting on 9th to tonic (he says 2, but I think 9th is clearer) can have no extra notes or two extra notes (between 9-8 and 8-b7). A descending dominant scale from tonic to tonic should have 1 extra note (suggested between 8-b7 like BostonJoe said). Major and minor have different suggested added notes, but the idea is the same (and when it comes down to it, the added note can be any note). ![]() "The Harris Half-step Practice Model": It's about rhythm. Practice major arps down chromatically in all inversions this is actually super easy and natural to do on guitar.ĭo Sol Mi Do then half step down to next arp Do Mi Sol Do then half step down to next arp Do Sol Mi Do. Mastering just the above on all guitar positions could be years of work for some peopleġ. So that's like not even half the "ABC's" from the first dvd set. He talks about how the piano seemingly has such a huge range that allows for these long flowing lines, but even an instrument with a short range can play the same phrases by the use of good pivoting. Just octave displacement.I don't think I need to explain that. Start adding melodic leaps by use of pivoting. There are 3 important arpeggios to master inside and out in all inversions within the dominant scale: Built off the tonic, the 5th, and 7th.ĥ. Triads with half step below first note, 4 note chords (arpeggios), 4 note chords with half step below first note.Ĥ. In triads: Do Mi Sol Re Fa La Mi Sol Ti etc Starting a half step below each 3rd: Ti Do Mi Di Re Fa Ri Mi Sol etc Scales should be practiced in 3rds: Do Mi Re Fa Mi Sol etc ![]() That's called playing the scale "Up and down."ģ. A two bar phrase is created by playing a major or dominant scale from the tonic to 7th back down to the tonic. For single note soloing the important minor is ignored and a dominant scale (mixolydian) is played over the ii and V. The chord built on the 5th of a dominant chord (the ii in a ii-V-I) is referred to as the "important minor" of that dominant chord. I'll do a little at a time since I tend to start projects and not finish.this way I'll let least have contributed something.ġ. I want to work on an overview for you guys. Hope this thread turns out to be a helpful one for people trying to get a basic idea before purchasing some of the study materials, and a good place to ask questions. I know there's a couple really good posts and videos on here somewhere.but it would be tough for me to go track them all down (hence the reason for this thread). It would be awesome if some of the other members here who have posted on this stuff would copy and paste it here. 'Confirmation' : Confirmation | Lesson by Roni Ben-Hur | Mike's Master Classes " 'How High the Moon' : Anatomy of a Tune - Be-bop Style | Lesson by Roni Ben-Hur | Mike's Master Classes Roni Ben-Hur's two 'Anatomy of a Tune' video lessons at Mike's Master Classes: Pasquale Grasso's four video lessons at : 'Chordability' DVD by Roni Ben-Hur: Roni Ben-Hur - Chordability 'Talk Jazz Guitar' by Roni Ben-Hur: Roni Ben-Hur - Talk Jazz: Guitar ![]() 'The Barry Harris Harmonic Method for Guitar' by Alan Kingstone: The Barry Harris Harmonic Method for Guitar ? Howard Rees' Jazz Workshops "Just collating in one post here the various materials available from Barry Harris and his students:īarry Harris 4DVD/book set (1): The Barry Harris Workshop Video ? Howard Rees' Jazz Workshopsīarry Harris 4DVD/book set (2): The Barry Harris Workshop Video Part 2 ? Howard Rees' Jazz Workshops Here's a link to a youtube channel with lots of great material: BarryHarrisVideos - YouTubeĭavid B posted this in another thread, and I'm sure he won't mind: I thought it was time to gather up some of the Barry Harris stuff that is spread out all over the place. ![]()
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